Been riding quite the wave this week. Got my spoken word workshop green-lighted, received positive responses from exhibit participants, and I’ve even lined up some local celebs to bring flair to my projects! Man, am I a lucky girl. Thanks for delivering, Universe.
On Thursday, my arty cohort and I traversed the local Joann Fabrics and Michaels stores. I needed to brainstorm. As per usual, I’m taking the most complicated route to satisfy a very simple project; in this case, trying to get my goddess apparel together for my November exhibit.
Still going with the Queen Puabi crown of course. As we perused row after row of notions and beadings and sheets of both paper and cloth, I realized yup! I’ve bitten off more than I can chew.
Here’s sketches of what I’ve designed. Found the “easy” dress pattern and some bamboo cross-stitch hoops to make a crown base. The key is to make the head gear as light as possible.
A simple cross-stitch hoop makes for a crown base
The dress is easy, not me!
The dress? A yummy purple floor-length number with an empire waist. It’s not so much the cloth adornment as is the emphasis on jewelry. This is an elaborate crown, indeed, and so to compliment it, I’ve pulled down accents to the arms. As you’ll see there’s little anise-shaped stars that go along the crown which I’ll also make an armband of. And that elaborate strip of gold foil? I’ll have that carried down the other arm. At least this is what my ambition is coming up with; hopefully we’ll exceed expectations!
Nice thing about an empire waist is you can expand below and not have to adjust much.
Notice the tyet loop to the front? Inanna was represented by a reed knot gate. A bent reed, then, was a symbol of her royal presence. Since I’m playing her priestess, Enheduanna, I wanted to include this detail.
August = productive so far, and delighted to report it’s a very positive experience! So far, I’ve drummed up interest on my two projects, and it looks like we are totally greenlit for The Living Goddess Exhibit. What is that, you wonder? Word will be out soon on the details, but if you have been following my previous cosmic-based posts, this was in the works for a while.
Currently I’m in design phase: how I want my exhibit to look, how I want the performers to appear, and most importantly, how am I presenting myself? Since the preferred date of the event falls after Halloween, I got the idea to costume the event (and the idea for you the attendee to dress up as well).
Immediately I went to my sketch book and freeformed how I imagined the engagement to appear if it had to be described entirely in drawing. Tendrils swoop the hands and crown of the Oracle I had drawn. Yes, this is going to be a very interactive, connected event. If you don’t leave feeling spiritually charged, then I didn’t do a good job!
Inspiration for the goddesses come from Queen Puabi the Sumerian ruler of Ur, whose crown and jewelry can be found on display in Philadelphia, Pennsylvania at the Penn Museum. I’m considering re-creating this crown for the event. It is quite intricate, but I love a challenge!
The headdress and beaded necklaces were found on the mummy of Queen Puabi, reassembled in her likeness